Starts in 27 Days, 16 Hours
April 17, 2018
“Outlaws, modern hillbillies, and Mumford & Sons’ evil twins!”
Tuesday 17th April 2018
PLEASE NOTE CHANGE OF VENUE! DUE TO UNPRECEDENTED DEMAND, THE SHOW HAS BEEN MOVED FROM THE SQUARE TOWER TO THE WEDGEWOOD ROOMS!
The Wedgewood Rooms
147b Albert Road
Box Office: 02392 863911
Doors Open 7.30pm.
Tickets £14 each (£16 on the door if not sold out).
Tickets available securely online at: www.wegottickets.com/event/417457
Alternatively, physical tickets can be purchased at the Wedgwood Rooms Box Office: OPENING TIMES – Thursday & Friday from 3.30pm until 7.00pm (10.00pm on a show day), 12noon – 6.00pm on Saturdays and when the doors open for a Wedge event. Telephone calls and orders are taken from 12noon – 4.00pm Monday to Friday and 12noon – 6.00pm on Saturdays. Box Office: 02392 863911
Physical tickets can also be purchased in store at Pie & Vinyl in Castle Road, Southsea, Southsea Gallery in Albert Road, Southsea, or Heathen Chemistry Records in West St, Fareham. Note that physical tickets in these shops will not be available until January 2018, and then only if they haven’t sold out prior to that. You can also send a cheque for the required amount of tickets (made payable to Ken Brown), along with a SAE, to our address (which you’ll find on the side of the page here). If in doubt then please phone the box office on 02392 382888.
A band with over 28 MILLION, YES 28 MILLION views, on one of their videos is coming to play for us all here at our historic venue – and we couldn’t be more excited! Check out the video below for yourself and grab those tickets quick! This is going to be one helluva show!
The Dead South have been described as outlaws, modern hillbillies and Mumford and Sons’ evil twins, but the best way to describe the Regina-based band is fearless. They’re a rare musical commodity – a band that’s equally compelling on record as they are on stage.
While The Dead South’s signature blend of bluegrass and classic folk is familiar, it’s also eminently fresh; fuelled by the kind of energy and ethic you’d associate with a punk band. “A lot of our inspiration comes from an old school feel, but our sound is an amalgamation of the we all like, and the punk influence is definitely there,” says vocalist/guitarist Nate Hilts.
Since the release of their second record, Illusion & Doubt (Curve Music/Entertainment One), in late 2016, The Dead South have proven themselves a force to be reckoned with on both sides of the 49th parallel. Illusion & Doubt recently hit Top 5 on the US Billboard Bluegrass chart and entered the top 30 on the US Country iTunes Chart. That’s fuelled interest in the band’s debut, Good Company, as well, which, though released in 2015, recently hit the Top 50 On Billboard and the Top 20 on US iTunes overall chart
The boost to both albums, Hilts believes, is partially due to the band’s video for ‘In Hell I’ll Be In Good Company,’ which was released in early 2016. “We were late to the game getting videos out for Good Company in general and after we did the ‘In Hell’ video in 2016 we concentrated on releasing Illusion & Doubt and put the video on the back burner. But, a few months after we released it, there was just this huge… BOOM.”
Boom is a good way to put it. Currently ‘In Hell I’ll Be In Good Company’ has over 28 Million (!!) views on YouTube and is gaining roughly 1,000,000 views weekly.
“Mixing Americana, Bluegrass and Country….that explodes!!”
Having two records drive up sales and interest in each other is an enviable position, but when you’re listening to either album it’s not hard to see what the fuss is about. Like Good Company, Illusion & Doubt relies heavily on songs about lovin’, cheatin’, killin’ and drinkin’ – “But it’s a more mature take on lovin’, cheatin’, killin’ and drinkin,’” Hilts says, laughing.
Illusion & Doubt also finds the band expanding on their amalgamation of vintage folk, alt. country and bluegrass, adding fiddle and pedal steel, but not abandoning their stripped down, acoustic sound.
“Getting the band together really inspired everyone to woodshed, collectively and individually,” Hilts adds And the result is music that just sinks into your soul; raw, raucous and so aggressively honest it seems like the band just rolled out of bed, grabbed a bottle of whisky and hit the stage.
Since signing their first record deal with Germany’s Devil Duck Records in 2014, “Touring is pretty much all we’ve been doing,” Hilts says. The chops they’ve developed on tour come across loud and clear on Illusion & Doubt, displaying a no holds barred ethic that blurs musical genres and transcends time – not only because their singular brand of punk tinged, vintage folk can’t be pinned down to any specific era, but because Illusion & Doubt recalls a time when fans listened to records top to bottom, over and again.
“Something different, something raw! The Dead South can make you forget your troubles and even what century you’re in!”
While the touring paid off (in November 2015 The Dead South received the Canadian Independent Music Association’s Road Gold certification for ticket sales in excess of 25,000 over a 12-month period), it’s also taken a toll, prompting a lineup change after banjo player Colton Crawford, who’d been fighting insomnia and exhaustion for over a year, left the band.
“When Colton had enough it was after our first show in Hamburg and we had to cancel the tour. As much as we’re happy for the success we’ve enjoyed, there are challenges. The lack of routine hurts some more than others. Since Crawford’s resignation, noted session player and solo artist, Eliza Mary Doyle, has stepped in to fill the void.”
Few bands set themselves apart the way The Dead South do, musically and in terms of personality; from their recordings through their rip it up live shows to their distinctive hillbilly cum pioneer look; a dress code, Hilts says, “that’s become a staple of who we are!”
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